Wednesday, November 24, 2010

The Lions of Normandy

(Originally written on November 3, 2010)

During my travels through Normandy, I began to wonder how it was that Normandy and Britain ended up both with Lions for symbols. In Eu, on the Normandy coast where William the Conquerer was married, I found the link. I was told that the animals are no lions, but leopards, and England uses three, Normandy was given the right to use two by the English crown, and that Eu (a town on the Normandy coast that was the site of William's marriage) was offered the right to use one by Normandy.

Why the leopard? I wondered how a lion could end up a symbol of a place far removed from the native home and the fact that it's a leopard doesn't offer any answers. As it turns out, the leopard was an animal that has been known since antiquity, even in regions far from its natural realm, as a hunter noted from its skill and stealth. Anciently (and into the Middle Ages), the leopard was considered to be the offspring of the adulterous union of a lioness and a pard, a mythical animal. (and since I learnt that, I struggle not to call the animal a leo pard, as to rhyme with leotards) Thus the main on the leopard that often gets it confused with the lion and sometimes used interchangeably with the lion. Thus in heraldry, the leopard was sometimes used as a symbol when the first to bear the arms in question was the product of an adulterous relationship himself. Thus, Richard the Lionhearted, King of England and Duke of Normandy, may have making reference to his Grandfather, William the Conquerer who was also known as William the Bastard (what a name!) in choosing the three leopards we now recognize as a symbol of the English crown.

Update (November 17):
Unfortunately, the story refuses to stay so simple. Two facts come to the surface:
  • King Richard was the first to use (at least that we have record of) three ‘lions’ for a symbol of the English crown and thus for England. This was on his great seal, created in 1198 after he returned from captivity in Germany.
  • Heraldry, as we know it, wasn't defined and formalized until the 12th century in England.
The combination of the two basically means that anything that happened before Richard’s seal was outside the bounds and rules of ‘modern’ heraldry. Richard may well have picked their lions because he thought they looked good together and for no deeper reason.

Another theory advanced goes back to Rollo (c. 870 – c. 932), the original ‘Northman’ that laid siege to Paris in 885 and was thus given Normandy by the French king Charles the Simple. Rollo was said to bare a leopard as his standard. A second was added when the county of Maine was annexed into Normandy. The third was added by King Henry II of England upon his marriage to Eleanor of Aquitain as a single lion was the symbol of Aquitain. Their son was Richard whose great seal we mentioned earlier.

Another possibility is simplily that the three lions were pleasing to the eyes and were chosen for no greater reason. (If you’re the king, who’s really going to tell you ‘no’?)

For further reading...
and All about Lions in Heraldy

Bonus: The Leopard at the foot of Richard the Lionheart's tomb in the Rouen Cathedral
(Also Photo 42 for my Project 365)


Model: Canon EOS DIGITAL REBEL XSi
Lens ID: EF-S18-55mm f/3.5-5.6 IS
Exposure: 1/60 sec
Aperture: ƒ/4.0
Focal Length: 24 mm
Flash Used: Yes
ISO: 400
Filter(s): HOYA UV(0)
Date and Time (Original): 2010:11:03 15:52:42

Sunday, November 14, 2010

My New (Un-)Friend - Photo 41 - Project 365


I went rambling through the bushes and brought home a visitor that I quickly dispatched. But first, he turned into my photo subject. As a photo subject, a bug of this size is increadibly hard to shoot - the distance between in and out of focus is a matter of millimeters. Some of my other bug pictures haven't turned out because I can't hold still enough! It doesn't help either that it is near impossible to tell on the camera screen whether something this small is in focus either. But I have a winner here!
Model: Canon EOS DIGITAL REBEL XSi
Lens ID: EF-S18-55mm f/3.5-5.6 IS
Exposure: 1/60 sec
Aperture: ƒ/5.6
Focal Length: 55 mm
Flash Used: Yes
ISO: 400
Filter(s): HOYA UV(0)
Date and Time (Original): 2010:09:28 11:10:45
Post-production: Crop

Saturday, November 13, 2010

Paris Skyline - Photo 40 - Project 365


The plane touched down at Charles de Gaulle and we quickly found ourselves in Paris! Dreams come true! How could I pass up getting a picture of the Eiffel Tower, THE symbol of Paris.
Model: Canon EOS DIGITAL REBEL XSi
Lens ID: EF-S18-55mm f/3.5-5.6 IS
Exposure: 1/60 sec
Aperture: ƒ/5.6
Focal Length: 55 mm
Flash Used: No
ISO: 400
Filter(s): HOYA UV(0)
Date and Time (Original): 2010:09:23 19:36:28
Post-production: Crop

On the Wing - Photo 39 - Project 365


For pictures alluding to open spaces and freedom, it's hard to beat those taken from the air. The wingtip is a subtle way to add perspective and a reference point. For the curious, the river is the Seine, just north of Paris.
Model: Canon EOS DIGITAL REBEL XSi
Lens ID: EF-S18-55mm f/3.5-5.6 IS
Exposure: 1/200 sec
Aperture: ƒ/9.0
Focal Length: 18 mm
Flash Used: No
ISO: 100
Filter(s): HOYA UV(0)
Date and Time (Original): 2010:09:22 12:24:10
Post-production: Crop

Sunday, November 07, 2010

The Orange Man and the Dog - Photo 38 - Project 365


Sometimes wandering around Iceland, the landscape reminded of nothing familiar and was closer to how I imagined Mars. The orange rainsuits they gave us when we went horseback riding didn't help any in that regard, but it does make us jump out in this photo.

Again, I love the feeling of openness and adventure the image inspires.
Model: Canon EOS DIGITAL REBEL XSi
Lens ID: EF-S18-55mm f/3.5-5.6 IS
Exposure: 1/200 sec
Aperture: ƒ/9.0
Focal Length: 18 mm
Flash Used: No
ISO: 400
Filter(s): HOYA UV(0)
Date and Time (Original): 2010:09:21 12:11:20
Post-production: Crop

Icelandic Waterfall - Photo 37 - Project 365


Iceland is the land of many things, including some amazing waterfalls. There were so many things to see in Iceland, I decided to bend my rule of only one photo per day. I think this is one of three from the one day of our Icelandic adventures :)
Model: Canon EOS DIGITAL REBEL XSi
Lens ID: EF-S18-55mm f/3.5-5.6 IS
Exposure: 1/160 sec
Aperture: ƒ/8.0
Focal Length: 18 mm
Flash Used: No
ISO: 400
Filter(s): HOYA UV(0)
Date and Time (Original): 2010:08:29 21:44:07

Saturday, November 06, 2010

All of Iceland Before Me! - Photo 36 - Project 365


We rented a car and drove out of Reykjavik and pulled off the road just before the next town.

I love in this picture of the sense of openness, adventure; and freedom it alludes to.
Model: Canon EOS DIGITAL REBEL XSi
Lens ID: EF-S18-55mm f/3.5-5.6 IS
Exposure: 1/250 sec
Aperture: ƒ/10
Focal Length: 18 mm
Flash Used: No
ISO: 400
Filter(s): HOYA UV(0)
Date and Time (Original): 2010:09:20 13:37:53
Post-production: Crop

Friday, November 05, 2010

Eric the Red - Photo 35 - Project 365


Welcome to Iceland! In the foreground is Iceland's most famous residents, Eric the Red (the statue is a gift given by the US to Iceland in 1930), and in the background is the tallest building in Iceland and one of Reykjavik best known landmarks, Hallgrimskirkja.
Model: Canon EOS DIGITAL REBEL XSi
Lens ID: EF-S18-55mm f/3.5-5.6 IS
Exposure: 1/50 sec
Aperture: ƒ/5.6
Focal Length: 43 mm
Flash Used: No
ISO: 400
Filter(s): HOYA UV(0)
Date and Time (Original): 2010:09:19 13:02:45

Spin Me Up! - Photo 34 - Project 365


In our modern era of jet travel, it's a little surprising to find a prop plane (a propeller, not jet driven plane) at the airport, but here it is!
Model: Canon EOS DIGITAL REBEL XSi
Lens ID: EF-S18-55mm f/3.5-5.6 IS
Exposure: 1/200 sec
Aperture: ƒ/10
Focal Length: 46 mm
Flash Used: No
ISO: 100
Filter(s): HOYA UV(0)
Date and Time (Original): 2010:09:18 13:53:59
Post-production: Crop

Livingstone's Birthplace (Postcard) - Photo 33 - Project 365



Still with the Family History theme, I also came across this postcard sent to my 2nd Great-Grandfather by his sister. It speaks to a different era, when people had more connections to the home country and so would go for months to visit the country and family. The note on the back ("This is a real photograph") speaks to the state of the art of photography - still complicated and expensive. The other thing that amazes me is how simple the address is. All in all, it's an interesting peak into the past.
Model: Canon EOS DIGITAL REBEL XSi
Lens ID: EF-S18-55mm f/3.5-5.6 IS
Exposure: 1/15 sec
Aperture: ƒ/5.0
Focal Length: 44 mm / 46 mm
Flash Used: No
ISO: 800
Filter(s): HOYA UV(0)
Date and Time (Original): 2010:09:01 12:52
Post-production: Crop